![]() ![]() ![]() We also have “I’m Thinking of Ending Things” on this list which is an unusual film. I’m Thinking of Ending Things Image Courtesy of Netflix They decide to band together to save their town from vampires. The story mainly features a trio of friends that discover a sinister plot to destroy their neighborhood. Vampire films are enjoyed by a lot of people and this film particularly is both a comedy as well as a horror film and was received pretty well. The Bronx” which was released back in 2020 on Netflix. Next up on our list, we have a vampire film “Vampires vs. After a series of unexpectedly terrifying moments, she soon realizes she’s no longer playing for the money, but for her own life. Then take it one step further by adding to the mix with My Best Fiend, Herzog’s 1999 documentary about his tumultuous relationship with Kinski.The story features a broke student who plays a 1980s survival game in pursuit of an unclaimed $100,000 prize. If you want to expand your understanding of Dracula’s cinematic arc, pair this with a screening of Murnau’s original Nosferatu. “He cannot choose and he cannot cease to be,” Herzog told The New York Times in 1978. In Herzog’s mind, Dracula’s immortality and vampirism are burdens that make him a more sympathetic character. What Herzog did, however, was create one of the most human versions of the legendary bloodsucker we’ve ever seen, as portrayed by Klaus Kinski. So on the very day that Bram Stoker’s Dracula entered the public domain, Herzog set about creating his own version of the film-one that, unlike the 1922 original, could legally use parts of Dracula without any legal headaches. Murnau’s original Nosferatu is the greatest film to ever come out of his native Germany. Over the years, he has long maintained that F. Over the course of his near-60-year-long career, Werner Herzog has proven that there’s nothing he can’t or won’t at least try to do for the love of filmmaking ( eating his own shoe included). Though many critics of the time attempted to declare Night of the Living Dead DOA because of its extreme gore, its reputation as a game-changer in the genre has given it continued life, with several sequels and even a couple of remakes, including Tom Savini’s 1990’s redux, with Tony Todd in the role of Ben. ![]() That’s when the ever-resourceful Ben (Duane Jones) shows up to help. Barbra, seeing a farmhouse nearby, runs there for help-only to discover the dead body of the home’s owner-and many slow-walking creatures coming her way. It all kicks off when siblings Barbra (Judith O'Dea) and Johnny (Russell Streiner) pay a visit to their father’s gravesite and are subsequently attacked by a strange man. Because even though the word zombie is never uttered in Night of the Living Dead, it's clear to the audience that that's what his half-living monsters are. Romero only ever cowritten and directed this one movie, his feature directorial debut, he’d still go down in history as a horror pioneer. Throw in a killer soundtrack and one of cinema’s most satisfyingly efficient endings and you’ve got a horror-comedy for the ages. Landis expertly balances laugh-out-loud humor with genuinely terrifying frights-most of them courtesy of special effects makeup wizard Rick Baker, who won a much-deserved Oscar for his work on the film (the werewolf transformation scene is iconic for a reason). Fortunately, his old pal Jack-looking very much worse for the wear-shows up to warn David that a full moon is coming and if he doesn’t kill himself before it arrives, he too will transform into a flesh-craving canine. While Jack is torn to bits, David survives but wakes up weeks later in a London hospital with little recollection of what happened. ![]() American pals David (David Naughton) and Jack (Griffin Dunne) get slightly lost as they backpack their way through England and end up being attacked by a werewolf. Horror-comedy is not an easy genre to pull off-especially when a movie like John Landis’ An American Werewolf in London has been around for comparison for nearly 40 years. ![]()
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